Ash Wednesday (1987)

Ash Wednesday

Ash Wednesday (Tor Books, 1987).

This was my second novel, published by Tor Books in hardcover and then in paperback.

It was an attempt at a “passive” horror novel, in which people in a small town (modeled after my own Elizabethtown) wake up one morning to discover that the dead are now visible as naked, semi-transparent blue forms, in the position that they were at the moment of death. They don’t move, they don’t speak; they are merely grim reminders of mortality. The action of the novel stems purely from the townspeople’s reactions to these ghosts. The plot also bears numerous parallels to Conrad’s Lord Jim.

The book was a final nominee for the 1988 Horror Writers of America’s Stoker Award. In The Magazine of Fantasy & Science Fiction, Orson Scott Card wrote, “Chet Williamson has done something powerful and new. You will be haunted by this book.” Library Journal: “a fine psychological thriller…and a richly textured and satisfying novel.” Fantasy Review: “a rich, carefully constructed novel about the ravages of guilt and about the real horror of life.” Rave Reviews: “a riveting, descriptive account of the effect the dead have on the living…both thought-provoking and entertaining.”

Fritz Leiber, who was one of my literary idols as I grew up, wrote: “By following the science-fiction precept of examining realistically and carefully the results of a single change in the circumstances of existence, Williamson has built a strong if necessarily macabre and uncomfortable tale of moral import.”

The novel has received a separate entry in the three-volume Supernatural Literature of the World, which declared it imbued “with a poignancy most horror novels only hope to achieve.”

An interesting footnote is that the final chapter was removed by editorial suggestion, and printed for the first time in Issue # 9 of Bill Munster’s magazine, Footsteps, in 1990.

One more item of interest is that the first dust jackets printed were embossed, but the name of the author was misspelled “Chet Willimson” everywhere on the jacket. The corrected jacket bore no embossing. I donated a copy of the book with the first state, never released dust jacket to an HWA auction, where it sold for over $300.

The book is now out of print, but is easily found in the used book markets. As for the first state jacket, not so much…

Soulstorm

Soulstorm

Soulstorm (Tor Books, 1986)

My first novel, a paperback original from Tor. The three pages of maps and floor plans at the front of the book were drawn by my father.

To make the transition from short story writer to novelist, I wanted my first book to have a fairly limited cast of characters, and small number of settings. The traditional haunted house story filled the bill perfectly. The plot concerned a small group of people locked into a haunted house for a month with the goal of ascertaining proof of the supernatural entities there.

It was scarcely an original idea, but I tried to weave enough variations on a well-known theme to make it fresh and interesting, including a mercenary soldier who happens to be gay, a fairly uncommon concept in genre fiction at that time.  A columnist for SF Chronicle called the book  “the best horror novel of the year,” and the reviewer there labeled it “one of the most intense variations on the haunted house story that I have ever read.” West Coast Review of Books said, “a dark gem of a novel,” and under my entry in the three-volume Supernatural Literature of the World, it states, “The emotional and moral dilemmas the characters face…gives uncommon depth to what is essentially a conventional genre story.”

I loved the bizarre, surrealistic cover art, but was later told by someone at Tor that it was thought so grotesque that it had hurt sales.

The novel is out of print, but used copies are easy to find…

“‘And So Will I Remember You…’”

Here’s the beginning of a story of mine which appeared in Barbara & Christopher Roden’s anthology, At Ease With the Dead. I hope it intrigues you enough to avail yourself of the book and the many wonderful stories therein…

“And So Will I Remember You…”

by Chet Williamson

          I don’t recall when I bought the book. It must have been on my shelf for years before I read it and found the inscriptions.

How I ever came to have a copy of The Peep of Day; or, a Series of the Earliest Religious Instruction the Infant Mind is Capable of Receiving, I’ll never know. I had to have picked it up from Kerry Baker, the book dealer, since it had his code in it: “$1-“ with “xx” below it, showing that he’d paid nothing for it, probably having gotten it in a box lot at an auction. I suppose I bought it on a whim, due to its cheapness and age.

It sat unnoticed in the lawyer’s bookcases in my bedroom for twenty years, until the evening I lay in bed reading Todd Pruzan’s piece in The New Yorker about Mrs. Favel Lee Mortimer, the author. Perhaps I should say authoress, since that stuffy, tight-laced woman would no doubt have referred thus to herself. She was among the most Victorian of British Victorian writers, was the redoubtable Mrs. Mortimer, slinging moralistic platitudes and nationalistic chauvinism about like some precursor to the Evangelical one-minders who’ve cast a similar blight on the current cultural landscape.

The simultaneously amusing and nasty thing about Mrs. Mortimer was that she wrote for children. Her withered literary soul found fertile ground among her parental collaborators who foisted upon their hapless offspring such titles as The Countries of Europe Described, Reading without Tears, and the aforementioned The Peep of Day. When I read her various descriptions of those unfortunate enough to live outside of England – “…it would almost make you sick to go to church in Iceland” is one of her kinder judgments – I knew I had found a true monster of popular literature, and was assured of it when I unearthed my own copy of The Peep of Day.

I have a memory for books, if for nothing else, and although Mrs. Mortimer’s name meant nothing to me, the book’s title did. I set down the magazine on the nightstand, muttered a brief explanation to my wife Linda, and starting rummaging through the bookcase on the other side of the bedroom. After several minutes I came up with the sad little volume. Its cover was worn, the cheap pseudo-cloth covering the heavy paper boards was chipped, and the dark threads and white binding cloth of the spine lay exposed like muscle and nerves under skin.

I climbed back into bed and found that the edition was published by The American Tract Society, always a promising sign, and gave no author’s name. “Anna B. Huber’s book 1860” was written on the front flyleaf in an ink that time had browned. I turned to the text, hoping for outrage, and was not disappointed.

The first chapter, entitled “The Body,” describes the same in simple and non-technical terms:

God has covered your bones with flesh. Your flesh is soft and warm…I hope that your body will not get hurt…

If it were to fall into a fire, it would be burned up. If hot water were to fall upon it, it would be scalded. If it were to fall into deep water, and not be taken out very soon, it would be drowned. If a great knife were run though your body, the blood would come out. If a great box were to fall on your head, your head would be crushed. If you were to fall out the window, your neck would be broken. If you were to not eat any food for a few days, your little body would be very sick, your breath would stop, and you would grow cold, and you would soon be dead.

You see that you have a very weak little body.

          Thank you for all your many kindnesses, Mrs. Mortimer. Her eventual point was that the child should pray to God to keep its little body safe from harm. I suppose it’s merely a more explicit version of the old bedtime prayer, “If I should die before I wake,” but I wondered about the effect such a list of horrors would have on an impressionable child of “five or six,” Mrs. Mortimer’s target audience, as revealed in her preface.

          I couldn’t help but share Mrs. Mortimer’s deathless prose with Linda, though she’s never been as fond as I of such literary cruelty. Being an elementary school principal makes her even more sensitive toward the feelings of children, and she was properly horrified and disgusted to the point where she gave a theatrical shudder, closed her own book, and turned off the light on her side, a cue that I should do the same, and one to which I responded as desired.

          Nothing alarms me at night. When I close my eyes in the darkness I’m able to close them on the concerns of the day, even my current inability to create a solid outline for a new novel, which drove me mad whenever my eyes were open. Nor am I affected by any filmic or literary horror I might have ingested before bedtime. In short, I sleep well and heavily, and am awakened only by the twin orbs of the morning sun and my bladder when full. That bladder alarm usually wakes me around four in the morning, as it did on this particular night, so I got up quietly, traversed the darkened bedroom with the assurance of one who knows every toe-stubbing bedpost and nightstand by heart, and made my way to the bathroom.

          When I stepped into the hall on my return, however, I felt suddenly ill at ease, as though if I turned and looked through the doorway into the living room, I might see a dark shape sitting in one of the chairs. It was surprising. Usually I’m as at home in the dark as a cat.

          So I confronted my fear, and turned and looked directly into the room, lit only by the pale glow the street lights cast through the thick curtains. There was nothing there, of course, but I thought that I heard just the wisp of a sigh, high and feminine. I took a few steps to the doorway, reached in and turned on the light.

Sound move…

Just last week I recorded some short stories by a friend of mine most of you have heard of. They’ll soon be available as downloadable MP3 files. Sent the WAV files off today for cleanup and the addition of sound effects and music. It’s a great project that will include stories by me as well as a number of other writers. I hate to be coy, but details will follow soon!

Chet Wars Episode IV: A New Beginning…

After several years of having a one-page vanilla website with a few outdated links and updates every other millennium, I decided it was time to get serious about this thing called the intranetwebz. After all, I’m an habitual Facebooker, an avid Tweeter (I refuse to call myself a tweep, dammit), and my iPhone is never out of my hands (speaking of which, it’s hard to type this way…). So why not get a real website? You know, with pictures, and links, and archives, and blogging, and lions and tigers and bears. Oh my. Continue reading